It's bracing to hear the return of a voice many have missed in a form few have heard. If The Civil Wars invited listeners to confuse their characters with the singers, he is now making clear where his songs come from. That's the sense White favors, but he has his own transcendent reason for claiming Beulah: It's a family nickname.įor White, this is a return to self. The biblical sense lives in roots, blues and gospel music like Mississippi John Hurt's laconically blissful " Beulah Land." William Blake used the word as a term for the poetic universal unconscious. It's a biblical word, denoting in Isaiah a place of peace and isolation from strife. For every emotional sledgehammer of a pop-country profundity like "I hate the way you love me," there's the subtle pull of a character line such as "you don't get above your raising."īeneath the themes of heartache, resentment and redemption is an elegant idea: Beulah. With Beulah, he is plainspoken without sacrificing his poetics. A television show centered around a macho everyman, his loving wife, and their three precocious children. White can't help but speak clearly, which made Civil Wars songs feel like conversations, intimate moments a listener happened upon. Yet in nearly every song he conjures fresh sonic adventurousness - the haunted percussion on "The Once And Future Queen" or the minimalist grooves of "Hope I Die." Longtime fans will recognize the pure tone of his voice and the finger-thrumming parlor sound of his acoustic guitar. I’ll tell you what, man, I had a really tough upbringing. The songs on Beulah strike a tricky balance between precision in their craft and a loose folksiness in their sound and delivery. John Joseph: Absolutely, 100 percent organic and locally sourced as much as possible. If White is out of practice, he doesn't show it. With Beulah, White emerges as if drawn by song from a quiet life, drawn with that romantic regret. to be with his family and focus on his Single Lock Records label. When the duo broke up in 2013, White returned home to Muscle Shoals, Ala. On a foundation of tension and surrender, the Civil Wars created magnetic songs about dark magnetism. White has always sung like a melody can be dangerous. Now, years later, White delivers on the long-delayed promise of a solo career in Beulah, a wise, entrancing and meticulous bit of Southern folk. That set him on a path to writing songs for other people and then forming The Civil Wars with Joy Williams - a duo whose strength lay in its harmonies. At the start of his career, he was poised to be a breakout solo singer until Capitol Records dropped him before the release of his debut album. John Paul White's voice was meant to be heard on its own.
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